Manhunter at 40: The Studio Sank. The Producer Kept Hannibal.
Woody Magazine
We write the things that aren't news
Sept. 27, 2026 (Sun.)
Manhunter at 40: The Studio Sank. The Producer Kept Hannibal.
The first Hannibal Lecter film was out of the top 10 by its second weekend. What brought it back, again and again, was every new Hannibal.
In Three Lines
- Forty years ago, Michael Mann's "Manhunter" put Hannibal Lecter on screen for the first time. It flopped, and two years later its studio filed for bankruptcy.
- The film was sold off with the studio's assets. The screen rights to the character stayed with the producer, Dino De Laurentiis.
- This is not a claim that the film was bad. It is a record of when it came back: each time a new Hannibal arrived.
Say "Hannibal Lecter," and most people see Anthony Hopkins. Fair enough. "The Silence of the Lambs," released in 1991, swept all five major Academy Awards the following year, with Hopkins taking best actor.
But Hopkins was not the first. Brian Cox played the role in Michael Mann's "Manhunter," which opened in American theaters on Aug. 15, 1986. It was adapted from "Red Dragon," the 1981 Thomas Harris novel that introduced the character. For its 40th anniversary, the film is back in theaters in a 4K restoration that Mann supervised himself. It opened July 24 in the United States and Sept. 25 in Britain.
Most coverage of the restoration tells a familiar story: a film overshadowed by "Silence" is finally getting its due. That is not wrong. Trace how "Manhunter" actually resurfaced over four decades, though, and something moved before the critics did. The rights did. Think of it as a house and the name on its door. The house went to the creditors. The owner unscrewed the nameplate and took it with him.
August 1986: 11th Place in Its Second Weekend
"Manhunter" opened in eighth place. The next weekend it slipped to 11th, taking in $1.28 million from 767 theaters, down 41.9 percent. "The Fly" held on at No. 1 that weekend, and "Stand by Me," widening its release, jumped to second.
Its domestic gross topped out at $8.6 million, short of what it cost to make. Reviews were split. Paul Attanasio of The Washington Post called it "gory and gorgeous" and said its design and photography would make viewers forgive it almost anything. Others dismissed it as style over substance.
The failure did not stop with one film. The studio behind it was the De Laurentiis Entertainment Group, or DEG. Dino De Laurentiis, the Italian producer of the 1976 "King Kong," had built it in the United States in the 1980s.
A Sequel, 13 Days After the Bankruptcy Filing
In two years DEG released about two dozen films, lost money on them and never landed a real hit. On Aug. 16, 1988, it filed for Chapter 11 bankruptcy protection. That same year, De Laurentiis was pushed out of the company that bore his name.
Thirteen days later, on Aug. 29, Harris published "The Silence of the Lambs," with Lecter back in a much larger role. The novel climbed the bestseller lists, yet no studio stepped up to film it. Harris's agent, Robert Bookman, later named two reasons: the serial-killer subject and the failure of "Manhunter." When a first film flops, the next book tends to get cheaper.
Gene Hackman eventually bought the rights with Arthur Krim of Orion Pictures, as equal partners. Hackman had hoped to direct and star, then dropped out. Krim bought his half, and Orion owned the book outright.
The Producer Walked Off With the Name
One problem remained: the name Hannibal Lecter. As Bookman described it, Harris could sell a one-picture license for the new book, but only if character names and places were changed. De Laurentiis held the screen rights to Lecter. In 1999, Newsweek described him as having controlled them since "Manhunter."
Orion looked for another name and found none that worked. Bookman called De Laurentiis, who agreed without a fight. Neither he nor Martha Schumacher, his business partner and later his wife, had read the book. He later called that a big mistake.
Passing on the sequel to a flop was a reasonable call. The De Laurentiises say they lent the name for free, and that had its own logic. Martha explained that saying no or asking for money made little sense; if they let Orion use it and the film succeeded, their asset would gain value. Bookman remembered it a little differently. De Laurentiis, he said, got some rights out of the deal. Either way, the nameplate stayed with its owner.
The house went elsewhere. DEG's film library was sold in 1989 to Paravision, a subsidiary of the cosmetics company L'Oréal. In 1994 it passed to the French broadcaster Canal+. When DEG filed for bankruptcy, NBC still owed it $1.25 million for the right to air "Manhunter." The money became part of a fight in bankruptcy court.
1999: $10 Million for the Next Book
"The Silence of the Lambs" cost $19 million and grossed $272 million worldwide. The nameplate was now worth something. In 1999, when Harris finished his third Lecter novel, "Hannibal," De Laurentiis paid $10 million for the film rights. Newsweek called it a record. For years before that, he had courted Harris, sending his personal pasta chef to the author's home in Miami to cook for him.
A DVD, 10 Days Before the Sequel
Every time the nameplate went up on a new house, people went looking for the old one. The film "Hannibal" opened in the United States on Feb. 9, 2001. Ten days earlier, on Jan. 30, Anchor Bay, a label known for reviving out-of-print titles, released two DVD editions of "Manhunter." DVD Talk's reviewer noted the timing and called it the kind of savvy big studios' video divisions tended to miss.
Many of us met "Manhunter" in that order. We saw Hopkins first and only later learned there had been an earlier film.
16 Years Later: Same Novel, Same Cinematographer
"Red Dragon" opened on Oct. 4, 2002, a second adaptation of the novel behind "Manhunter." It was produced by Dino and Martha De Laurentiis and shot by Dante Spinotti, the cinematographer of "Manhunter." Hopkins played Lecter.
The same producer had rebuilt the house from the same blueprint, this time with the nameplate on the door. "Red Dragon" grossed $209 million worldwide, and a new director's cut of "Manhunter" came out on DVD the next year. In 1986 the name could not carry the film. In 2002 it could.
The Company That Pulled the Negative, 40 Years On
The new restoration comes from StudioCanal, the film arm of the Canal+ group, which now holds the old DEG library. L'Immagine Ritrovata, a restoration lab in Bologna, scanned the original 35mm negative in 4K. A few shots came from an interpositive, an intermediate copy struck from the negative. Mann re-edited the film and supervised a new color grade.
For 40 years, "Manhunter" came back whenever someone said Hannibal's name. This year the house's new owner fixed it up and opened the door. Someone else still has the nameplate.
Sources
- Source ↗ Box Office Mojo, Domestic 1986 Weekend 34
- Source ↗ Deadline, Jonathan Demme And Untold 'Silence Of The Lambs' Tales (2016)
- Source ↗ Newsweek, You'll Never Eat Lunch In This Town Again (1999)
- Source ↗ Deadline, Hannibal Is Harvey's Cannibal Now (2006)
- Source ↗ Santa Barbara International Film Festival, The Silence of the Lambs (quoting Dino and Martha De Laurentiis)
- Source ↗ Den of Geek, The Failed Hannibal Adaptation That Led to Silence of the Lambs (2024)
- Source ↗ Kirkus Reviews, The Silence of the Lambs (1988)
- Source ↗ The Washington Post, De Laurentiis Group Files Chapter 11 (Aug. 17, 1988)
- Source ↗ Time, Star Of His Own Dubious Epic
- Source ↗ U.S. Court of Appeals for the Ninth Circuit, In re De Laurentiis Entertainment Group Inc., 963 F.2d 1269 (1992)
- Source ↗ Wikipedia, The Silence of the Lambs (novel)
- Source ↗ Wikipedia, Paravision International
- Source ↗ DVD Talk, Manhunter Limited Edition (2001)
- Source ↗ Textual Variations, Unbecoming: The Lost and Obsolete Versions of 'Manhunter'
- Source ↗ Box Office Mojo, Red Dragon (2002)
- Source ↗ Wikipedia, Red Dragon (2002 film)
- Source ↗ IndieWire, Michael Mann's 'Manhunter' to Return in Final Cut 4K Restoration (June 2026)
- Source ↗ The Belcourt Theatre, Michael Mann's MANHUNTER: The Final Cut (restoration notes; quotes 1986 Washington Post review)
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